For the past six decades, Helen Mirren's career has successfully shifted from a respected theatre actress to an iconic fixture on British television to a beloved Hollywood star. Her range of work has earned her the triple crown of acting - an Oscar for The Queen, a Tony for The Audience, numerous Emmys - including for her iconic performance in Prime Suspect - and an appointed Dame Commander of the Order of the British Empire. The Helen Mirren Archives chronicles Miss Mirren's life and career from the early days to the recent with information, pictures and video clips.
  September 21st, 2018       Posted by Frederik       Display Comments

Glamour is running an Icons series this week with profile on powerful women, including Jane Fonda, Rita Moreno and Geena Davis so far. Helen is their latest addition with a lenghty article and interview. You can read the complete interview on their site, here’s an excerpt: Helen Mirren, 73, is unquestionably an icon. After more than 50 years in the business, she’s achieved the triple crown of acting (Emmy, Oscar, Tony), making her one Grammy away from an EGOT. Oh, and she’s an actual dame. Just don’t bother asking her about these accomplishments. “Patting yourself on the back is not very productive,” she tells Glamour. “I’m proud of certain projects – they’re all my babies in one way or another – but I don’t dwell on my past achievements. I dwell on future achievements.” Some of those future achievements include playing Mother Ginger in this November’s The Nutcracker and the Four Realms and the titular role in Catherine the Great for HBO, for which she’s currently filming in Lithuania and Russia until the end of the year. That said, there’s one moment from her past that she’s happy to celebrate – something that happened long before Mirren was appointed an Officer of the Order of the British Empire or even the subject of a beloved subway meme.

I made some bold and quite brave moves at various times in my life, maybe slightly professionally suicidal moves,” Mirren says. “But I don’t regret any of it. I always try to make the tapestry of my work as broad as possible. To me, the most successful way to conduct my professional life is to constantly search out new and different things to do.

  April 30th, 2018       Posted by Frederik       Display Comments

For the Film Society of Lincoln Center’s Chaplin Award Gala, “Film Comment” has posted quite a few very interesting and in-depth articles on Helen, including an interview and this main piece entitled “Noblesse Oblige”. An excerpt can be read on the Lincoln Center’s website: “I’m not the bloody Queen,” Detective Chief Inspector Jane Tennison scolds her abashed male driver for addressing her as “Ma’am” instead of her preferred “Guv.” Tennison may not play royalty in the hit British television crime series Prime Suspect, though she does rule there as a queen bee. But over a long career on stage and screens large and small, Helen Mirren, who plays the spiky policewoman, has enacted a raft of bloody Queens, one of whom won her a richly deserved Oscar and swelled her already solid cachet with royalty-loving American audiences. From her early days in Britain’s National Youth Theater, where her Cleopatra attracted agents’ attention, Mirren has propped up a cottage industry of royals wielding power, libido, and bags of lavishly costumed panache. She played the fourth and, mercifully, final wife of Malcolm McDowell in the ill-starred Caligula (1979). Bewigged and brocaded, she appeared opposite Nigel Hawthorne as Queen Charlotte, the devoted 18th-century consort who tried to keep her demented husband on the throne in The Madness of King George (1994). She drew rave notices for her Elizabeth I in the television miniseries of the same name, and as Elizabeth II in Peter Morgan’s 2013 stage play The Audience, which imagines the weekly conversations between Her Royal Majesty and a fleet of Prime Ministers, all of whom she outlasted. And lest you think she’s done playing monarchs, Mirren is prepping to star as Catherine the Great in an upcoming HBO/Sky miniseries. That’s a pretty pedigreed franchise for an actress who has played more than her share of gangster’s molls, and even there she oozed her own brand of tarnished nobility.

  April 20th, 2018       Posted by Frederik       Display Comments

Many thanks to Alvaro for sending in scans of Helen’s May 2018 cover story and article in the British Woman & Home. Much appreciated!

  April 14th, 2018       Posted by Frederik       Display Comments

A little bit of everything has been added to the photo gallery this morning, from recent magazine covers to theatre pictures from the 60s! But in order: Helen graces the cover of the May 2018 issue of Woman & Home in the United Kingdom, which is on newsstands now. She has also been featured in the April 2018 issue of the Australian Mindfood magazine and in the March 2018 issue of Sweden’s Sondag magazine. A couple of fantastic additional editorial pictures have been added, as well as two teriffic finds of Helen’s very first steps on the stage. In 1965, after a well received debut as Cleopatra with the National Youth Theatre, Helen transmitted to Manchester’s Century Theatre and played her first professional roles under the direction of Braham Murray – in O’Neill’s “Long Day’s Journey Into Night” and in Michael Meyer’s “The Ortolan”. Pictures from both plays have been added to the photo gallery. Enjoy your weekend!



Related Media:

Photo Gallery – Magazine Articles & Scans – Woman & Home (United Kingdom, May 2018)
Photo Gallery – Magazine Articles & Scans – Mindfood (Australia, April 2018)
Photo Gallery – Magazine Articles & Scans – Sondag (Sweden, March 2018)
Photo Gallery – Editorial Photography – 2018 – Session 05
Photo Gallery – Editorial Photography – 2017 – Session 08
Photo Gallery – Editorial Photography – 2017 – Session 04
Photo Gallery – Editorial Photography – 2015 – Session 11
Photo Gallery – Career Photography – Theatre – 1965 – The Ortolan
Photo Gallery – Career Photography – Theatre – 1965 – Long Day’s Journey Into Night

  January 26th, 2018       Posted by Frederik       Display Comments

Some great new scans have been added to the photo gallery, including a cover story from the February 2018 issue of The Australian Women’s Weekly (same cover as the Allure and Italian Vanity Fair) and a cover from January’s Parade Magazine. There’s also been an article in the recent Los Angeles Times with editorial pictures being added and a new production still from “Winchester”. Enjoy the new additions.